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A Door Ajar

On the Edge of Leaving and Staying

By Kristen BarenthalerPublished about 8 hours ago 5 min read
A Door Ajar
Photo by Roan Lavery on Unsplash

The morning began like a promise someone had almost kept. Light came in through the kitchen window in a thin, apologetic strip, as if the sun had remembered at the last minute and was still tying its shoes. On the table, a mug with a lipstick crescent at the rim cooled beside a folded map whose edges were softened by being looked at too often. The map was open to a place whose name the narrator had practiced saying in the shower, in the car, under the breath of the houseplants. The syllables felt like a borrowed coat: warm enough, but not yet fitted.

She had packed one bag. It sat by the door, not quite zipped, a small rebellion of socks and a paperback peeking out. The paperback’s spine had been creased in a way that suggested it had been read for comfort rather than instruction; the pages smelled faintly of lemon and the attic. There were other things she had meant to pack and had not: a photograph in a frame she could not bear to lift, a letter she had written and then folded into the pocket of a coat she no longer wore, a pair of earrings that had been waiting for an occasion that never arrived. Each absence felt like a soft bruise.

Outside, the street was a slow, patient thing. A dog walked its owner with the solemnity of a ritual; a delivery truck idled, engine ticking, as if it too were deciding whether to go. The neighbor’s curtains were drawn, a pale face of fabric that hid whatever small dramas might be unfolding behind them. The air smelled of rain that had not yet fallen and of something else—cut grass, or the memory of cut grass—so that the world felt both washed and expectant.

She stood at the threshold, one hand on the doorknob, and the house made a small, domestic sound: the refrigerator hummed, a spoon clinked against a bowl in the sink, somewhere upstairs a floorboard sighed. The doorknob was cool under her palm, not the hot, decisive metal of a door that had been left open for too long, but the kind that required a little coaxing. She thought of turning it and of not turning it, and both thoughts had the same weight.

There were reasons to go and reasons to stay, and they were not the tidy, headline-sized reasons people imagine. They were the kind that live in the margins: a neighbor who once brought over soup and then stopped; a bus route that had been rerouted and then rerouted again; a promise to herself that had been postponed until the calendar looked like a stack of unpaid bills. She had rehearsed the speech she might give if someone asked—short, plausible, with a laugh at the end—but when she tried it aloud the words came out like coins dropped into a jar: small, metallic, and not enough to buy anything.

On the table, the map’s crease caught the light and made a thin, bright line. She traced it with the tip of her finger, following a road that curved away from the city and into a place where the map’s paper softened into blankness. The blankness was not empty; it was a kind of permission. It was also a kind of threat. She had always liked maps because they promised routes, but this one promised only the possibility of routes, and possibility is a slippery thing.

Her phone lay face down on the counter. Notifications slept there like small, impatient animals. She had turned it off the night before to see if silence would teach her anything. Silence had taught her that she could hear the house better: the way the pipes remembered their own names, the way the radiator clicked like a clock that had decided to keep its own time. Silence had also taught her that the absence of a message could be a presence in itself, a hollow that echoed with what might have been said.

She thought of the people she would leave and the people she would not. There were faces that fit into the corners of her memory like photographs in a shoebox—some glossy, some dog-eared. There were conversations that had ended with a shrug and a promise to call, and the calls had not come. There were small kindnesses that had been given and not returned, and small cruelties that had been forgiven because forgiveness was easier than the alternative. She catalogued them not to tally debts but to see if any of them would tip the scale.

A breeze moved through the open window and lifted the edge of the map. For a moment the paper fluttered like a bird deciding whether to leave the branch. She reached out and steadied it, and the motion felt like an answer and like a question at once. She could imagine the road ahead in fragments: a station with a clock that read five minutes slow, a café where the barista would mishear her name and write something stranger, a field of grass that would not care whether she arrived. She could also imagine staying, the house settling around her like a familiar sentence, the same small rituals continuing until they became the only language she knew.

Her keys were in her hand now, cool and heavy. She turned them over, feeling the ridges, the tiny imperfections. Each key was for something: the front door, the mailbox, the lockbox at the gym she had stopped going to. Keys are promises, she thought—promises to open and promises to keep closed. She could put them back on the hook and make a new kind of promise, or she could step out and see whether the world beyond the porch would accept her as she was: half-packed, half-sure, half-hoping.

A car passed, its tires whispering on the wet pavement, and the sound made the house seem larger and lonelier at once. She heard a child laugh somewhere down the block, a bright, unguarded sound that did not belong to any plan. The laugh made her chest ache in a way that was not entirely unpleasant. It was the ache of something not yet decided.

She opened the door a fraction. The hallway beyond was a ribbon of shadow and light. The air that came in smelled of the city and of rain and of someone else’s cooking. It smelled like possibility and like the ordinary world, which is to say it smelled like both risk and comfort. She stood with the door ajar, one foot still inside, the other foot poised as if on the cusp of a step.

She did not move. She did not close the door. The bag by the door sagged a little, as if it too were waiting to see what she would do. The map lay open, its blankness patient and unjudging. The day outside continued to begin without her, and the house continued to keep its small, domestic rhythms. Somewhere, a kettle began to sing, a thin, tentative sound that might have been an invitation or a warning.

She breathed in, and the breath tasted like the first page of a book she had not yet decided to read. She breathed out, and the sound was a small, private surrender. The world held its breath with her, or perhaps it did not notice at all. The door remained open a little, and the road on the map curved into blankness, and the story—if it could be called that—paused on the edge of a beginning that would not, that could not, be forced into a tidy ending.

Short Story

About the Creator

Kristen Barenthaler

Curious adventurer. Crazed reader. Librarian. Archery instructor. True crime addict.

Instagram: @kristenbarenthaler

Facebook: @kbarenthaler

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