Shelby Oaks - A Movie Review
Chris Stuckmann’s directorial debut is an impressive first effort.

I know Riley’s alive, I can feel it.
Shelby Oaks is a 2025 thriller. A woman’s sister has been missing after being abducted years ago. Refusing to give up, Mia's search leads her to a terrifying mystery at the hands of an unknown evil.
I have been following YouTube movie reviewer Chris Stuckmann for the last few years. He’s what inspired me to become a movie reviewer. I have been looking forward to seeing Shelby Oaks ever since he announced it. Stuckmann’s directing style is impressive, capturing the horror aesthetic, but the story isn’t as strong.
The casting choices were good, including Sarah Durn, Camille Sullivan, Anthony Baldasare, Keith David, and Michael Beach. Durn and Sullivan were terrific in their performances as Mia and Riley. They both accomplish terror. Some reactions were slow. I didn’t feel much chemistry between Sullivan and Beach.
Sullivan has the majority of the screen, and she does not disappoint. She plays Mia with a raw intensity. Mia’s fighting attitude is a trait to admire. She never gives up in the search for Riley. I was impressed with how authentic her reactions to the horror were.
This is Chris Stuckmann’s directorial debut. Being a director was his dream, and he followed his passion to be one. Stuckmann’s filming techniques are the most impressive. He has filmed his own home movies since he was a kid, giving him a knack for filmmaking.
I did as little research as possible, and I thought the first ten-minute found-footage sequence was based on true events. The found footage segment is an impressive feature, highlighting realism. Stuckmann went for authenticity and filmed on a 2008-era camcorder.
If you have followed Stuckmann, you know that he loves the horror genre. Every shot of the film is planned out, and he brings his own unique eye for horror. Horror films are all about scaring audiences. This film has some effective jump scares, which I did not anticipate. I jumped a couple of times.
The sequence where Mia searches the dark dungeon is a signature scene. Filming transpired at the closed-down Ohio State Reformatory in Mansfield, Ohio. This was the same filming location for The Shawshank Redemption (1994). As Mia walks through the dark hallways, the scene is stone quiet with little noise. Silence is rare in a horror movie.
Stuckmann and cinematographer Sasha Moric employ muted palettes, flickering lights, and long stretches of negative space to create a world that feels drained and unsettled. Much of the film is told through Mia’s eyes, and the cinematography mirrors her fraying mental state. One of my favorite shots is the camera slowly panning the dark forest.
It’s the story and pacing that fall flat, particularly in the last 15 minutes. I started losing interest in the last half because it didn’t feel like the same movie. The story followed a realistic approach until taking a fantasy angle in the conclusion. Shelby Oaks is about an abduction. I didn’t buy the witch’s cult or curses. I also feel that one creature should have remained hidden.
Stuckmann’s directorial debut is still an impressive effort. I have followed Stuckmann’s reviews since 2018. I am an avid movie fanatic, and listening to his reviews inspired my passion to create my own channels to talk about movies. There’s so much more to movies. Because of Stuckmann, I have paid attention to subtle details and behind-the-scenes work.
Take a look at Shelby Oaks. It’s not just a successful first feature; it’s a promising signal of a filmmaker who has a deep love for cinema.
About the Creator
Marielle Sabbag
Writing has been my passion since I was 11 years old. I love creating stories from fiction, poetry, fanfiction. I enjoy writing movie reviews. I would love to become a creative writing teacher and leave the world inspiring minds.




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