Metal cogs turn,
my flesh is one and the same,
Chaplin’s muscles burn
but there’s still a smile on his face,
-
these suicide machines grind our bones
down into dust,
invincible, no longer shining, succumbing slow
to rust.
-
Concrete homes,
brutalist blocks,
workers’ eyes
on whirring clocks,
-
the factories
lick slime-endowed lips,
we make bunny ears
behind the boss’ back
for kicks.
-
The long walk home
is interrupted by the smog,
breathe it in deep,
it’s only two lungs that you’ve got,
-
the doctor’s machines grow loud
when processing your image,
you struggle for sleep
most nights these days
-
rare passings-out accompanied
by visions
of unending days,
-
tired legs running
on toxic fumes and
burning acid.
-
In dreams,
just like Brazil,
you fly free, above the clouds,
-
in dreams,
there are no drills,
there are no starving metal mouths,
-
in dreams,
there is no waking,
no more coming crashing down,
-
in dreams,
I plan on staying,
head held down until I drown.
-
We were born to run,
Springsteen begged us to do so,
but my feet are draped
in concrete,
and the chisels have turned blunt,
-
I feel this body rotting,
skeletal cage, forced to full throttle,
-
I was born to run
but the metal hands
still hold me
too tight.
About the Creator
Reece Beckett
Poetry and cultural discussion (primarily regarding film!).
Author of Portrait of a City on Fire (2020, Impspired Press). Also on Medium and Substack, with writing featured… around…



Comments (1)
Oh damn! These visceral images are devastating.