Analysis
Sympathy For An Old Man
British citizens of the 1700s wanted to be known for their good morals and compassion as citizens and needed to have a standard to follow. Charlotte Temple, written in 1791 by Susanna Rowson, is a sentimental novel that delivers the framework the British populace needed. Two aspects of sentimental novels that are seen in Charlotte Temple are stereotypical good and bad characters and excessive emotion. Charlotte’s grandfather, Mr. Eldridge, is a good character who exemplifies the qualities a man of his time should possess. Mr. Eldridge is a sympathetic, good character and shows excessive emotion that is typical of sentimental novels.
By Stephanie J. Bradberry3 days ago in BookClub
Benedict Bridgerton's Blind Spots
Your Honour, my Client, Mr Benedict Bridgerton, is a good man, but his upbringing has left him rather an idiot. This is not to suggest that Mr Bridgerton is a bad person, but merely that the extreme privilege of his lifestyle has left him with some exceedingly large blind spots.
By Natasja Rose8 days ago in BookClub
There Is Only One True Unreliable Narrator...
The unreliable narrator: A new trend in the literary fiction world, usually also falling under the category of unlikeable narrator and plotless fiction. I think, in many ways, the tiktok-afication of this term has pulled it away from what it actually means and is often used as a synonym for an unlikeable narrator.
By The Austen Shelf16 days ago in BookClub
The Other Woman in My Marriage Wasn’t a Stranger
When I first picked up "MY HUSBAND'S WIFE" book to read, I expected a dramatic story about betrayal and rivalry. The title suggests something bold and emotional, but what I found instead was a much more reflective and human narrative. This is not just a story about two women connected by one man. It is a story about how people understand themselves through love, memory, and comparison.
By Rosalina Jane21 days ago in BookClub
From Babel to Code
Abstract This article argues that the central intellectual provocation in Neal Stephenson’s *Snow Crash* is neither the Metaverse as a virtual geography nor the novel’s satirical political economy, but the idea of language as a virus: a transmissible code capable of poisoning cognition, reshaping bodily behaviour, and reorganising social order. Stephenson links this viral model to the Tower of Babel as a myth of linguistic fracture and control, then projects it into a modern world where computer languages become the operational substrate of intelligent machines. The contemporary paradox is that large language models, built on formal code and computational syntax, increasingly mediate everyday human expression. Rather than machines corrupting a pure natural language, the argument developed here proposes the reverse: natural human language is itself unstable, illogical, and socially dangerous, and humans increasingly require technological filters to write, speak, and reason coherently. In an emergent environment where utterances are recorded, searchable, and algorithmically judged, language becomes less disposable and more accountable. The article concludes by interpreting this ‘global library’ condition as a new stage of linguistic civilisation, in which the risk of viral speech persists, yet the possibility of responsible language use expands through machine-assisted memory, verification, and form.
By Peter Ayolov21 days ago in BookClub
The Planned Obsolescence of the Jedi Order
“Bound by temples and codes, the Force grows thin, for flow it must, not sit in stone. When orders cling to their names, blind they become to the living light. Only when the old walls fall does the Force remember how to breathe.”
By Peter Ayolov21 days ago in BookClub
