Latest Stories
Most recently published stories in Critique.
Breakfast at Tiffany’s
Holly Golightly should've been more screwed up and Paul should've been gay, just as Capote wrote those characters. Still, there are gems in this flick: Moon River, earrings that sparkle for miles, Givenchy gowns, Cat. And then, Mickey Rooney spoils it all with his monumentally ill-conceived portrayal of Mr. Yunioshi.
By Marie Wilson2 years ago in Critique
The End Is The Beginning
Mitch Albom’s imaginary tale of the afterlife, The Five People You Meet In Heaven, illuminates five lessons, bringing new meaning to living, dying, and purpose. The plot craftily zigzags between present and past. A true psychological suspense that leaves you wanting more of his stellar dialogue and less overwrought description.
By Stephanie J. Bradberry2 years ago in Critique
Against Stoic Psychologists
I am yet to find any psychology in this catalogue that has escaped the orbit of a wretched and diminished sense of ‘utility’. And utility for who? Not us! Not those who suffer under diagnostic criteria and are fed a new stoicism by psychologists unblemished by any historical context.
By T. M. Harrison2 years ago in Critique
“Giant” is a Jelly Donut
You have to chew through a lot of doughy footage in this movie before you get to the heart of it. And that heart is Jimmy Dean. Mumbling and awkward, Dean creates a character that goes deeper than the oil drill he labours over, making "Giant" digestible and ultimately delicious.
By Marie Wilson2 years ago in Critique
Only Murders in the Building. Runner-Up in Critique Challenge.
A show that seems more niche than it actually is, OMITB centers on true crime obsessives who become three unlikely amigos and start a podcast to solve a string of murders in their posh Manhattan building. Darkly hilarious and emotionally evocative with a brilliant cast, this series is a must-see.
By Megan Malcolm2 years ago in Critique
WandaVision
A Marvel Cinematic Universe show that was hugely popular and fun to watch, WandaVision presented a clever take on loss, grief, and the psychopathology of superhumans. However, the twist felt unearned, a "switcheroo" instead of a satisfying reveal, and Legion handled the same topics earlier and better, without any fanfare.
By Megan Malcolm2 years ago in Critique







