vintage

Vintage articles and footage from the science fiction archives.

CAN’T MAKE THIS POOP UP
ABOUT THIS PROJECT This is a rendering of pent up feelings of 2026. Into technology, and adapted to the progress. Seriously, we have at our finger tips online, and live in a future my Grandma Carrie Soleta would say, "Oh, my!"This is a little comedy realistic true story written in a format to produce a fun explanation of emerging technology and change in the 21st century.
By Vicki Lawana Trusselli 2 days ago in Futurism
Nostradamus Predictions for 2026.
Nostradamus Predictions for 2026 Nostradamus remains one of the most enduring names in prophecy. Born Michel de Nostredame in sixteenth-century France, he worked as a physician, astrologer, and writer, a man who turned observation into prediction. His book Les Prophéties has travelled through centuries, its cryptic verses sparking argument and awe in equal measure. Some see his work as poetic philosophy, others as proof that the future leaves shadows long before it arrives. Whatever the truth, his name still rises whenever the world trembles.
By Marie381Uk 12 days ago in Futurism
Star Crash
Star Crash is a wonky, bottom-feeder Star Wars rip-off from 1978, with an ensemble cast of cult movie icons, including Marjoe “Mausoleum” Gortner, Caroline Munro, Joe “Maniac” Spinell, Christopher Plummer, and—by God—the Hoff himself, David Hasselhoff, pre-"Knight Rider," pre-"Baywatch," but still every bit the sexy-bad muthafucka.
By Tom Bakerabout a month ago in Futurism
Dracula, Sovereign of the Damned
Dracula, Sovereign of the Damned is an anime from Toei Studios, dating from 1980, based on Marvel's Tomb of Dracula comic. Marvel's Dracula once tried to kidnap Storm until Kitty Pryde showed up and drove his blood-sucking butt out the window wielding the Star of David. Apparently, Dracula is anti-Zionist.
By Tom Baker2 months ago in Futurism
Blade Runner . Top Story - December 2025.
These days, androids might very well dream of electric sheep. In 1982, not so much. Blade Runner takes place six years in our past, as per the present timeline. Other timelines, we don't know. Perhaps there, Replicants rule the lives of meat sacks, and the Imperial Skinjobs are all as beautiful as Rutger Hauer or Daryl Hannah are in Blade Runner.
By Tom Baker2 months ago in Futurism
Star Trek: "The Tholian Web"
The Tholian Web is one of those classic episodes of TOS that transcend television. The ghostly image of a Kirk (William Shatner) caught between dimensions, waiting breathlessly (at the end literally so) for the transporter to beam him back to the ship, while the Tholian ship weaves a “Web” around the Enterprise, stranded in space as it is due to the fear of “disrupting” the dimensional shift, is one that sticks with the viewer like a good, heady shot of Saurian brandy. Oh, with such bold and breathtaking adventure awaiting, what’s an old spacer to do?
By Tom Baker2 months ago in Futurism
Stereo and Crimes of the Future
"Jomkin suggests that there must evolve a novel sexuality for a new species of man." — Crimes of the Future Before he became the cinematic master of body horror, David Cronenberg was an experimental student filmmaker who turned out works very much in line with the same sort of fixations explored almost exclusively by J.G. Ballard, whose Crash he later adapted into a film, in 1997. His early films, his first two, Stereo (1969) and Crimes of the Future (1970), explore film technique in documenting the huge, yawning architectural environment of an unspecified hospital or research facility, relegating the performers of the film to almost being secondary actors in a drama defined by geometrical shape—relegating them to the roles of insectile life, pursuing strange, even inscrutable actions, ostensibly being filmed by the watchful, clinical, and coldly detached robotic eye of the viewer, who becomes the de facto research assistant to the director, who seems to have made this film by asking his performers to improvise within the framework of derangement. What was he exploring? one wonders. The environment itself dwarfs the humanity of the filmic subjects, overpowering them in its specter of geometrical dominance and dimension.
By Tom Baker2 months ago in Futurism
Life On Demand
Introduction Yesterday I was at a work conference and my dad called me four times. Now normally I could text and say I would call back later, and that would be Ok, but despite having a state-of-the-art phone, my dad doesn't read texts because he does not know how to.
By Mike Singleton 💜 Mikeydred 2 months ago in Futurism
Power On!
"The world is in transition! When I am finished, it will be a model of mechanical perfection!" —Lord Dread Note: The fanfic is strong with this one.
By Tom Baker2 months ago in Futurism
Tarot of The Holy Mountain (Part 1)
All pathways lead to the gate of initiation, at the foot of the Holy Mountain, the great, towering pinnacle of our hopes, dreams, and fears.
By Tom Baker3 months ago in Futurism
Wizards
Wizards is an animated film that is as old as I am. Mark Hamil lends his vocal skills, along with Richard Romanus, who was also in Heavy Metal (1981) as well as in Martin Scorcese's iconic American gangster pic Mean Streets *(1973), alongside Robert Deniro and Harvey Keitel. Before he died, Romanus, in other words, was in some classic films. Wizards is one of them, although we don't say it isn't a troubled ordeal fitting that term "classic" to it. Here's why.
By Tom Baker3 months ago in Futurism
The Silent Collapse of Ambition
I. The 'Digital Dystopia' Introduction We have been sold a beautiful lie. It has slick marketing, an endless stream of cheerful, sunlit Instagram posts, and a compelling name: Remote Work.
By Stefano D'angello3 months ago in Futurism