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Geeks featured post, a Geeks Media favorite.

What if the Inhumans Were Never Missing?
The Marvel Cinematic Universe has never suffered from a lack of ideas. What it has suffered from, increasingly, is congestion—too many concepts competing for narrative oxygen, too many histories forced to coexist without the space to breathe. Few properties exemplify this problem more clearly than the Inhumans, a civilization introduced with enormous mythological potential and then effectively abandoned, left dangling somewhere between canon and apology.
By Jenna Deedy22 days ago in Geeks
The Real Life Dexter Morgan
For almost 20 years, audiences have been enamoured by the trials and tribulations of Dexter Morgan. Portrayed by the uber talented Michael C. Hall over the course of three separate shows, the Dexter series has served as a storytelling masterclass.
By Isa Nan26 days ago in Geeks
The Day Everything Changed
I missed the last bus on purpose. Not because I wanted to be stranded, but because I couldn’t face going home. That day had been one long unraveling—work mistakes, a call from my sister about our mother’s health, the kind of exhaustion that lives in your bones. The bus stop bench was cold, the sky bruised with storm clouds, and I just… stayed. Let the schedule pass. Let the world move on without me.
By KAMRAN AHMAD27 days ago in Geeks
The Black Panther is bigger than one man
Author’s Note: Recent online speculation about the future of the Black Panther prompted a widespread debate over recasting, legacy, and respect for Chadwick Boseman’s portrayal. This essay expands on a prediction I shared publicly, arguing that the most faithful continuation of the character lies not in replacement, but in succession–specifically through introducing T’Challa’s son and heir. What follows is an exploration of why the Black Panther has always been a mantle shaped by legacy rather than a role defined by a single man.
By Jenna Deedy28 days ago in Geeks
Mobile App Budget Planning for Tampa Small Businesses
For small businesses in Tampa, mobile apps are no longer experimental tools. By 2026, they are increasingly tied to daily operations, customer retention, and revenue flow. That shift has changed how budgeting decisions are made.
By Samantha Blake28 days ago in Geeks
Are Today's Cartoons Hurting Our Children?
Every generation likes to think that they had the best of everything. The best clothes, the best games, the best toys and yes, the best cartoons. I'm sure that just like me, many of you can fondly recall those old familiar shows we spent our childhoods watching.
By Isa Nan29 days ago in Geeks
The Night I Stopped Waiting for Wings
I was fifteen the first time I saw the wings. It was 2009. My best friend and I huddled in her basement, sharing a bag of chips, eyes glued to the TV as women in glitter and lace walked like they owned the air itself. They were radiant, powerful, untouchable. One wore wings so wide they brushed the stage lights; another smiled like she held the secret to happiness itself.
By KAMRAN AHMADabout a month ago in Geeks
The Boy in the Rain
I didn’t go for the game. I went for my nephew. He’s twelve, wears a faded jersey two sizes too big, and talks about football like it’s scripture. “It’s not just running and tackling, Uncle,” he’d said, eyes wide. “It’s about heart. About who shows up when no one’s watching.”
By KAMRAN AHMADabout a month ago in Geeks
Top 10 Lifetime Villainesses of 2025 (Part 2: The Top 5)
2025 was kind of a special year for Lifetime movies. I mentioned in Part 1 that we saw angles that were very new to the Lifetime film scene, but we also saw a good amount of star power as well in thrillers. In thrillers! Lifetime usually saves the big guns for holiday films and true crime retellings, but we saw some interesting names appear for Lifetime this year. Some of them even played villainesses. The casting in some films has given this fan hope for future films, but that's another few stories.
By Clyde E. Dawkinsabout a month ago in Geeks
Top 10 Lifetime Villainesses of 2025 (Part 1: #10 - #6)
Five years. It's hard to believe that this is my fifth year compiling this list. I love Lifetime films with a passion and have for about a quarter-century now. Those who read my stories wonder when I start really preparing the list. When do I exactly start the process of elimination in my mind as I watch Lifetime's amazing movies? No, the answer's not January or February. It's usually around Stanley Cup Playoff time--late spring/early summer.
By Clyde E. Dawkinsabout a month ago in Geeks
Why Marvel Studios Should Embrace Canon MCU Novels
For over fifteen years, the Marvel Cinematic Universe has been the gold standard for shared cinematic storytelling. What began as a risky experiment with Iron Man (2008) grew into a sprawling, interconnected franchise that redefined what blockbuster filmmaking could be. But as the MCU continues to grow–across films, Disney+ series, specials, and now the multiverse–it faces a challenge that can’t be solved with bigger budgets or more content alone:
By Jenna Deedyabout a month ago in Geeks
Ironmouse and the Fall of VShojo
For a long time, Ironmouse represented something rare on the internet: sincerity that survived fame. Behind the animated avatar with glowing eyes and a mischievous laugh was a real person who never pretended to be invincible. She spoke openly about her health, her exhaustion, and her dependence on a community that had grown with her over years. In a digital world where personas are often manufactured, Ironmouse felt real. That is why, when she announced her departure from VShojo in mid-2025, it didn’t feel like ordinary internet news. It felt like the end of an era. VShojo was not just an agency. It was an idea. Founded as a creator-friendly alternative to rigid VTuber corporations, it promised freedom, transparency, and control. Talents owned their characters. Contracts were supposedly flexible. The agency marketed itself as a safe middle ground between independence and corporate support. Ironmouse was one of the strongest symbols of that promise. Her success helped legitimize VShojo in its earliest days. She wasn’t merely a member; she was proof that the model worked. Millions of viewers associated her warmth and authenticity with the agency itself. So when she left, people paid attention. The Stream That Changed Everything Ironmouse didn’t leave with a dramatic tweet or a cryptic post. She explained her decision during a livestream—calm, measured, and painfully honest. There were no raised voices, no insults, no emotional manipulation. Just facts, pauses, and visible disappointment. At the center of her explanation was money—but not in the way internet drama usually frames it. During a massive subathon in 2024, Ironmouse and her community raised over $500,000 for the Immune Deficiency Foundation. This was not a casual charity choice. Ironmouse lives with a severe immune disorder, one that has shaped her entire life. The foundation’s work directly affects people like her. She trusted VShojo to handle the transfer. According to her statement, that trust was misplaced. Months passed. Then more months. The charity did not receive the funds. Repeated attempts to resolve the issue internally failed. What should have been a straightforward transaction became a long silence filled with excuses and delays. For Ironmouse, this was the breaking point. She explained that this wasn’t about profit or personal income. It was about responsibility. About a promise made to her community and to people whose lives depend on medical support. When that promise wasn’t honored, she walked away. The Collapse of an Agency Shortly after Ironmouse’s announcement, VShojo officially shut down. The timing felt abrupt, but the signs had been there. Over the previous year, multiple talents had quietly left the agency. Some cited burnout. Others offered vague explanations about “creative differences.” Fans noticed fewer collaborations, reduced visibility, and an overall sense that something was wrong behind the scenes. When the CEO released a public statement confirming the shutdown, he admitted to mismanagement and accepted responsibility. There was no attempt to deny the allegations. No attempt to shift blame. That honesty, while rare, arrived too late. VShojo’s collapse sent shockwaves through the VTuber industry. It challenged the assumption that creator-first agencies are automatically safer or more ethical. It exposed how fragile these organizations can be when internal controls fail. Most importantly, it raised uncomfortable questions: Who safeguards the money creators raise? Who ensures accountability when trust is broken? And what happens when a brand built on goodwill loses it? A Community Responds Ironmouse’s audience reacted not with chaos, but with resolve. Fans organized independent donation drives to ensure the Immune Deficiency Foundation received support. Fellow creators expressed solidarity, often carefully choosing their words, aware of legal boundaries but clear in their empathy. There was anger, yes—but it was focused. Directed not at Ironmouse, but at a system that failed her. This response revealed something important: the true power in the creator economy does not sit with agencies. It sits with communities. Ironmouse didn’t lose her audience when she left VShojo. She proved that her connection with fans was stronger than any corporate structure. Her streams continued. Her viewership remained loyal. Her influence didn’t shrink—it stabilized. The Larger Lesson The fall of VShojo is not just a story about one agency. It’s a warning. As online creators grow into multimillion-dollar ecosystems, informal systems are no longer enough. Passion, trust, and good intentions cannot replace transparent financial practices and accountability. When creators outsource control over money—especially charitable funds—they are placing immense faith in organizations that may not be equipped to handle it. Ironmouse’s situation highlights a broader tension in modern digital labor: creators are expected to act like businesses, but are often protected like individuals. Agencies step into that gap, promising structure—but without regulation, oversight depends entirely on integrity. When integrity fails, collapse is inevitable. Ironmouse’s Quiet Strength Perhaps the most striking part of this story is how Ironmouse handled it. She did not incite harassment. She did not dramatize the fallout. She did not position herself as a hero or a victim. She spoke, then returned to what she has always done: creating. That restraint earned her respect beyond her existing fanbase. Even critics acknowledged that her response was measured and responsible. In a digital culture addicted to outrage, her calm was disarming. Ironmouse didn’t destroy VShojo. VShojo collapsed under the weight of its own failures. She simply refused to carry that weight any longer. A Turning Point for VTubing Years from now, this moment will likely be remembered as a turning point. It may push creators to demand clearer contracts, better financial oversight, and independent auditing. It may encourage talents to reconsider whether agencies are necessary at all. It may force fans to recognize that behind every animated character is a real person navigating real risks. The VTuber world will continue to grow. New agencies will rise. New promises will be made. But the fall of VShojo—and Ironmouse’s role in revealing its cracks—will remain a reminder that virtual fame does not eliminate real-world consequences. Avatars can be fictional. Trust is not.
By Amanullahabout a month ago in Geeks